Interpretive Patching

I have started to talk with Hal about patching. A large part of my theatre video work up to this point has utilized patches that themselves form some sort of symbol or relevant shape to the piece. In europe and at the wooster group, I have worked utlizing an organic process; often I try to mimic or reflect the shape of the set (or something else related to the piece) or the narrative of the piece in my physical and virtual video patches. A good patch should look like the piece that it's a part of.

For me this kind of patching serves two very practical psychological functions. 1)it makes the video elements an unquestionable integral part and 2) it helps the video designer and operator remember how the patch looks, what it is for and where it is going....

So far the video system in Oh What War has been like a system scavenged off dead bodies- a part of the makeshift character of our old set for Culturemart... a bit of an anti-system, a series of tvs, projectors and monitors and one camera that was not centrally controlled nor completely interconnected.

I am looking for the best ways right now to clump the equipment together into organ-like entities and then figure out how they relate to eachother. I am looking for a closed system that will be the shape from which all our necessary video gestures will be possible/ attainable.

I think the shape of this patch will be disturbing like a buried octopus.

z