A continuation of my attempt to compile a list of my favorite resources, following up on the Venues list.

If you've got a favorite resource I should add then please let DPI know.

dorkbot
http://dorkbot.org/dorkbotnyc

NYC Resistor
397 Bridge Street, 5th Floor Brooklyn
http://www.nycresistor.com

make and make2
http://www.makenyc.org
http://www.makenyc2.org

Madaigascar
217 Butler Street, Brooklyn
http://madagascarinstitute.com

3rdWard
195 Morgan Ave, Brooklyn
http://www.3rdward.com

office ops
57 Thames St., Brooklyn
http://www.officeops.org

EYEBEAM
540 W. 21st Street, NYC
http://eyebeam.org

LEMUR / LEMURplex
461 3rd Avenue, Brooklyn
http://www.lemurbots.org

SOHO Think Tank ICE FACTORY '08 : TRACES/fades
July 16-19 Wednesday-Saturday 7PM $10-$15
Ohio Theatre, 66 Wooster St

a meditation on Alzheimer's and our national inability to remember history.
an intergenerational performance that examines the fluidity of identity.

written and conceived: Lenora Champagne
directed: Lenora Champagne and Robert Lyons
featuring: Mary Fogarty*, Judith Greentree*, Joanne Jacobson*, Quanda Johnson*, Matthew Lewis*, Amelie Lyons and Lenora Champagne
music and sound:Daniel Levy and Lisa Dove
video: Shaun Irons and Lauren Petty
lights: Stacey-Jo Marine
costumes: Liz Prince
stage management: Nicole Marconi
assistant direction: Tricia Cramer and Janina Santillan

DPI:

How many people / roles / time does it take to add media to a live performance work?

Hal Eagar:

A whole lot. Maybe one person can be them all, but it sucks to be that person. It's like shooting a film and building a interactive video installation.
DP, editor, CG, computer specialist, video specialist, rigger, ... I 'd really have to stop abd think for a while.

But I like there to be 2-3 people on the video team at least. With overlap in skills of course but maybe broken down in these areas of expertise and responsibility.
Shooting and editing, install cuing, and stage effects.
And if possible tack on an operator/SM.

DPI:

When do you join the creative process? When would you like to join?

Hal Eagar:

Well I 'say' early. But it depends on the project and my schedule. Certainly well before rehearsal starts. It can be fun to bomb in on day one of rehearsal and just build as they work. In fact I love that, but it probably does not make for the best work, and it's hard on the body to work as long and hard as that demands.

But I do feel you have to start mixing the media into rehearsal really early if not on day one. There is so much volubility to how it will work. You want to know what works and what does not before you spent too much time on it. And you need time to discover the stuff you never expected. If you don't start doing that until tech week. Or even the week or two before that then there may not be time to do anything about it. Also stuff (video images) looks so different on your screen and on stage. I know that but I still get caught by it all the time. It's can be so cool and clear to me on the computer, but then it turns out to be just noise on stage.

One thing I've noticed about puppetry is that because it's hard work, and rehearsal is harder than performance even it's good to build rehearsal periods with breaks, two weeks on two off. It gives you a chance to rest sore muscles and rebuild problem puppets as well. Well that sort of on and off schedule is great for video as well because it can take a lot of hours to build animations or shoot mini films. And the iterative process is also good for discovery and play. For me personally a break of more than a month is to much and I'll loose focus and momentum.
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Red handle's Yellow Electras
PERFORMANCE: July 10 - 19 $17
Ontological-Hysteric Incubator

Red handle creates and presents live performances that crash through boundaries of media, genre, storytelling, and audience.
Red handle's newest remaking creates a new template for an old myth, mixing video, movement, opera, and theatre in a playful series of episodes, interruptions, and entertainments. Following the success of iph.then at the Ontological last summer, YELLOW ELECTRAS is a mash-up of the Electra myth and Kandinsky's Yellow Sound, and includes several Electras, a chorus, opera, dance, and sounds from Strauss, Kandinsky, and & Grizzly Bear.

Writer/Director: Peter A. Campbell
Dramaturgy: Ramona Thomasius
Movement: Laura Ward
Co-Producer: Eve Hartmann
Stage Manager: Christine Vartoughian
Sets + Lights: Peter Ksander
Video Design: Ann LePore
Video Editing + Operator: Laura Keller
Light Operator: Lauren Barbara

CAST:
Laura Heidinger - ELECTRA
Genevieve de Gaillande - ELECTRA
Karen Rich - ELEKTRA
David Gordon - ORESTES
Gavin Starr Kendall - MENTOR/PYLADES
Chorus: Diane Botta, Jackie Byrne, Carissa Cordes,
Annie Deng, Sarah Hartmann, Cindy Kawasaki,
Jaime Lubin, Ashlie Miller, Lauren Ospala,
Marjorie Polunas, Justine Raczkiewicz,
Iracel Rivero, Jennifer Stepanyk, Jenny Vallancourt

Prince: Neal Medlyn's Unpronounceable Symbol
PERFORMANCE: July 9th-20th 8PM
additional late show Sat 11PM
PS122

"Neal Medlyn's Unpronounceable Symbol is Neal Medlyn's fourth and largest to date pop song tragic-comedic extravaganza. Following the success of his Lionel Richie Opera, R. Kelly cabaret, and wild and bloody spin on Phil Collins, Medlyn takes on the purple, hyper- sexualized world of Prince.

Set to many of Prince's biggest hits and infamous b-sides, all performed onstage by a live band, Neal plays out an evening of seduction and intense internal spiritual conflict between two characters: an engaged cab driver and a messianic libertine. Jealousy, band troubles, violence, death, a dream ballet, decent into hell and the eventual transubstantiation of body fluids and redemption all find their place in an operatic and overblown evening of androgynous musical entertainment.

Co-written and with musical arrangements by Tony-Award Nominated and Obie winner Kenny Mellman; Herb of Kiki & Herb and co-creator, with Bridget Everett and Michael Patrick King ("Sex and the City") of At Least It's Pink. Neal will also be joined by Adrienne Truscott, lauded choreographer and half of the award winning neo-vaudeville duo the Wau Wau Sisters, who will also contribute choreography, and Carmine Covelli.
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SXIP Shirey performing at TED

Not digital, but certainly SXIP is someone who uses the technology that he does use completely smoothly and fluidly, and in innovative ways.

Anyway I just love Sxip's performances, so this is my "hey did you see this at TED" post.

and go watch some more Sxip, it's just wild, and second to live video is the way to see him.  It's hard to believe that "that sound" is coming from one man, and with "that instrument".